{"id":688,"date":"2013-08-30T11:09:31","date_gmt":"2013-08-30T11:09:31","guid":{"rendered":"https:\/\/cinemascop.eu\/2013\/?page_id=688"},"modified":"2013-08-31T09:14:16","modified_gmt":"2013-08-31T09:14:16","slug":"straina","status":"publish","type":"page","link":"https:\/\/cinemascop.eu\/2013\/filme\/straina\/","title":{"rendered":"STR\u0102INA"},"content":{"rendered":"<div class=\"title\"><h2>STR\u0102INA \/ DIE FREMDE (2010) &#8211; drama<\/h2><\/div>\n<p>scenariul\u00a0 \u0219i regia: Feo Aladag<br \/>\n119\u2019<\/p>\n<div class=\"flexslider\"><ul class=\"slides\">\n<li class=\"image\"><img src=\" https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/film4_2.jpg\" alt=\"\" \/><\/li>\n<li class=\"image\"><img src=\" https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/film4_3.jpg\" alt=\"\" \/><\/li>\n<li class=\"image\"><img src=\" https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/film4_1.jpg\" alt=\"\" \/><\/li>\n<\/ul><\/div>\n<p><!--\n[slider]\n[slide] https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/03\/film1_in_ceata_1.jpg[\/slide]\n[slide] https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/03\/film1_in_ceata_2.jpg[\/slide]\n[slide] https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/03\/film1_in_ceata_3.jpg[\/slide]\n[\/slider]\n--><\/p>\n<p>Umilit\u0103 \u015fi revoltat\u0103 de comportamentul violent al so\u0163ului ei, Umay, o turcoaic\u0103 \u00een v\u00e2rst\u0103 de 25 de ani, fuge, \u00eempreun\u0103 cu fiul ei de patru ani \u00a0din Turcia \u00een Germania, la Berlin, unde tr\u0103ie\u015fte \u00eentreaga sa familie. De\u015fi o primesc cu c\u0103ldur\u0103, p\u0103rin\u0163ii femeii o sf\u0103tuiesc s\u0103 nu-\u015fi p\u0103r\u0103seasc\u0103 so\u0163ul, pentru c\u0103 s-ar dezonora \u015fi ar aduce oprobiul comunit\u0103\u0163ii asupra tuturor. De\u015fi oscileaz\u0103 \u00eentre afec\u0163iunea pentru fiica lor \u015fi respectarea str\u0103vechiului cod al onoarei, mama \u015fi tat\u0103l lui Umay \u00eei cer s\u0103 se sacrifice spre binele fiului. Crescut\u0103 \u00een Germania, unde a prins gustul libert\u0103\u0163ii, ea refuz\u0103 \u00eens\u0103 s\u0103 se \u00eentoarc\u0103, se refugiaz\u0103 \u00eentr-un ad\u0103post pentru femei victime ale violen\u0163ei conjugale, \u00ee\u015fi ia o slujb\u0103 la un restaurant \u015fi se preg\u0103te\u015fte s\u0103-\u015fi reia studiile. C\u00e2nd este reg\u0103sit\u0103 de fratele ei cel mai mare, un ins la fel de violent \u015fi de \u00eenapoiat ca so\u0163ul ei, Umay este pedepsit\u0103 dup\u0103 str\u0103vechile legi, ca o femeie dezonorat\u0103<\/p>\n<p><b>30 de premii \u0219i 9 nominaliz\u0103ri<\/b><b>: <\/b>Berlin Film Festival, Tribeca Film Festival, Angers European First Film Festival, Calgary IFF, Cologne Conference, European Film Awards, German Camera Award, German Critics Association Awards, European Film Award, German Film Awards, German Film Critics Association Awards<br \/>\nKekilli sensitively portrays Umay&#8217;s conflicted despair, and the relationship with her son is beautifully rendered.\u00a0 Joe Neumaier, New York Daily News<br \/>\nAladag&#8217;s point, I think, is that no matter how righteous we may feel about this kind of zero-sum cultural collision, for the human beings involved it often results in unbearable tragedy. Andrew O\u2019Hehir, salon.com<\/p>\n<p><strong>Distribu\u021bia:<\/strong> Sibel kekilli, Nizam Schiller, Derya Alabora, Settar Tanriogen, Tamer Yigit, Serhad Can, Almila Bagriacik, Florian Lukas, Nursel Kose, Alwara Hofels, Ufuk Bayraktar, Blanca Apilanez, Rosa Enskat, Gumec Alpay, Ayla Arslancan<\/p>\n","protected":false},"excerpt":{"rendered":"<p>scenariul\u00a0 \u0219i regia: Feo Aladag 119\u2019 Umilit\u0103 \u015fi revoltat\u0103 de comportamentul violent al so\u0163ului ei, Umay, o turcoaic\u0103 \u00een v\u00e2rst\u0103 de 25 de ani, fuge, \u00eempreun\u0103 cu fiul ei de patru ani \u00a0din Turcia \u00een Germania, la Berlin, unde tr\u0103ie\u015fte \u00eentreaga sa familie. De\u015fi o primesc cu c\u0103ldur\u0103, p\u0103rin\u0163ii femeii o sf\u0103tuiesc s\u0103 nu-\u015fi p\u0103r\u0103seasc\u0103 so\u0163ul, pentru c\u0103 s-ar dezonora \u015fi ar aduce oprobiul comunit\u0103\u0163ii asupra tuturor. De\u015fi oscileaz\u0103 \u00eentre afec\u0163iunea pentru fiica lor \u015fi respectarea str\u0103vechiului cod al onoarei, mama \u015fi tat\u0103l lui Umay \u00eei cer s\u0103 se sacrifice spre binele fiului. Crescut\u0103 \u00een Germania, unde a prins gustul libert\u0103\u0163ii, ea refuz\u0103 \u00eens\u0103 s\u0103 se \u00eentoarc\u0103, se refugiaz\u0103 \u00eentr-un ad\u0103post pentru femei victime ale violen\u0163ei conjugale, \u00ee\u015fi ia o slujb\u0103 la un restaurant \u015fi se preg\u0103te\u015fte s\u0103-\u015fi reia studiile. C\u00e2nd este reg\u0103sit\u0103 de fratele ei cel mai mare, un ins la fel de violent \u015fi de \u00eenapoiat ca so\u0163ul ei, Umay este pedepsit\u0103 dup\u0103 str\u0103vechile legi, ca o femeie dezonorat\u0103 30 de premii \u0219i 9 nominaliz\u0103ri: Berlin Film Festival, Tribeca Film Festival, Angers European First Film Festival, Calgary IFF, Cologne Conference, European Film Awards, German Camera Award, German Critics Association Awards, European Film Award, German Film Awards, German Film Critics Association Awards Kekilli sensitively portrays Umay&#8217;s conflicted despair, and the relationship with her son is beautifully rendered.\u00a0 Joe Neumaier, New York Daily News Aladag&#8217;s point, I think, is that no matter how righteous we may feel about this kind of zero-sum cultural collision, for the human beings involved it often results in unbearable tragedy. Andrew O\u2019Hehir, salon.com Distribu\u021bia: Sibel kekilli, Nizam Schiller, Derya Alabora, Settar Tanriogen, Tamer Yigit, Serhad Can, Almila Bagriacik, Florian Lukas, Nursel Kose, Alwara Hofels, Ufuk Bayraktar, Blanca Apilanez, Rosa Enskat, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":730,"menu_order":4,"comment_status":"open","ping_status":"closed","template":"side-navigation.php","meta":[],"_links":{"self":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/688"}],"collection":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/comments?post=688"}],"version-history":[{"count":5,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/688\/revisions"}],"predecessor-version":[{"id":955,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/688\/revisions\/955"}],"up":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/730"}],"wp:attachment":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/media?parent=688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}