{"id":699,"date":"2013-08-30T11:16:16","date_gmt":"2013-08-30T11:16:16","guid":{"rendered":"https:\/\/cinemascop.eu\/2013\/?page_id=699"},"modified":"2013-08-31T06:02:39","modified_gmt":"2013-08-31T06:02:39","slug":"pielea-in-care-traiesc","status":"publish","type":"page","link":"https:\/\/cinemascop.eu\/2013\/filme\/pielea-in-care-traiesc\/","title":{"rendered":"PIELEA \u00ceN CARE TR\u00c3IESC"},"content":{"rendered":"<div class=\"title\"><h2>PIELEA \u00ceN CARE TR\u00c3IESC \/ LA PIEL QUE HABITO (2011) &#8211; drama <\/h2><\/div>\n<p>scenariul Augustin Almodovar \u0219i Pedro Almodovar<br \/>\nregia: Pedro Almodovar<br \/>\n120\u2019<\/p>\n<div class=\"flexslider\"><ul class=\"slides\">\n<li class=\"image\"><img src=\" https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/film6_1.jpg \" alt=\"\" \/><\/li>\n<li class=\"image\"><img src=\" https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/film6_2.jpg \" alt=\"\" \/><\/li>\n<li class=\"image\"><img src=\" https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/film6_3.jpg \" alt=\"\" \/><\/li>\n<\/ul><\/div>\n<p>De c\u00e2nd so\u0163ia i-a murit \u00een incendiul care a urmat unui accident, doctorul Robert Ledgard (Antonio Banderas), un eminent specialist \u00een chirurgie plastic\u0103, s-a ocupat de crearea unui nou tip de piele, artificial\u0103, rezistent\u0103 la arsuri, cu care \u015fi-ar fi putut salva so\u0163ia. Dup\u0103 doisprezece ani, el reu\u015fe\u015fte s\u0103 creeze o piele care func\u0163ioneaz\u0103 ca un scut \u00eempotriva tuturor agen\u0163ilor externi. \u00cen continuarea anilor de studiu \u0219i de experimente, Robert mai are nevoie de trei lucruri: s\u0103 fie lipsit de scrupule, s\u0103 aib\u0103 un complice \u015fi un cobai. Scrupulele n-au fost niciodat\u0103 o problem\u0103. Iar Marilia (Marisa Paredes), femeia care a avut grij\u0103 de el de c\u00e2nd s-a n\u0103scut, este complicele perfect. C\u00e2t despre cobaiul uman&#8230;<\/p>\n<p><b>21 premii \u0219i 38 nominaliz\u0103ri<\/b>: BAFTA awards, Golden Globes, Cannes Film Festival, Goya Awards, Hollywood Film Festival, London Circle Critics Film Award, New York Film Cristics Circle Awards, London Circle Critics Film Award, British Independent Film Awards etc.<\/p>\n<p>Almodovar a gasit in Antonio Banderas interpretul ideal pentruacestpersonaj aseptic siagreabilpedinafara, monstruospedinauntru.Combinatie de savant dementsi de parinteiubitorpana-n panzelealbe, el ajungesaproiectezepevictima o pasiunemaladiva. Relatiadintrechirurgsivictimapacient e nelinistitoaresicomplicata, si nu se poaterezolvadecatintr-un singurfel. &#8220;Pielea in care traiesc&#8221; e provocatordesipielea e o metaforaatat de transparenta (sic).<br \/>\nCeil tine pe spectator atentsuntelasticitateatensionata a regiei, constructiasigura a thrillerului, frumusetea \u201epielii\u201d filmului, trimiterileduble la un film de epocasi la unul de anticipatie, fascinatiapentrutransformarealenta a personajelor, asemeniunorlarve care crescindaratulunorcrisalide mate.<br \/>\n<b>Iulia Blaga,<\/b> www.hotnews.com<\/p>\n<p>Ultimately an original film that forces us, time and again, to reconsider what we think we&#8217;ve just seen, and what we&#8217;re sure we feel &#8211; not only about mere appearance, or fateful gender, but about who, under our skin, we truly are. <b>Joe Morgenstert, <\/b>Wall Street Journal<\/p>\n<p><strong>Distribu\u021bia :<\/strong> Antonio Banderas, Elena Anaya, Marisa Paredes, Jan Cornet, Roberto Alamo, Eduard Fernandez, jose Luis Gomez, Blanca Suarez, Susi Sanchez, Barbara Lennie<\/p>\n","protected":false},"excerpt":{"rendered":"<p>scenariul Augustin Almodovar \u0219i Pedro Almodovar regia: Pedro Almodovar 120\u2019 De c\u00e2nd so\u0163ia i-a murit \u00een incendiul care a urmat unui accident, doctorul Robert Ledgard (Antonio Banderas), un eminent specialist \u00een chirurgie plastic\u0103, s-a ocupat de crearea unui nou tip de piele, artificial\u0103, rezistent\u0103 la arsuri, cu care \u015fi-ar fi putut salva so\u0163ia. Dup\u0103 doisprezece ani, el reu\u015fe\u015fte s\u0103 creeze o piele care func\u0163ioneaz\u0103 ca un scut \u00eempotriva tuturor agen\u0163ilor externi. \u00cen continuarea anilor de studiu \u0219i de experimente, Robert mai are nevoie de trei lucruri: s\u0103 fie lipsit de scrupule, s\u0103 aib\u0103 un complice \u015fi un cobai. Scrupulele n-au fost niciodat\u0103 o problem\u0103. Iar Marilia (Marisa Paredes), femeia care a avut grij\u0103 de el de c\u00e2nd s-a n\u0103scut, este complicele perfect. C\u00e2t despre cobaiul uman&#8230; 21 premii \u0219i 38 nominaliz\u0103ri: BAFTA awards, Golden Globes, Cannes Film Festival, Goya Awards, Hollywood Film Festival, London Circle Critics Film Award, New York Film Cristics Circle Awards, London Circle Critics Film Award, British Independent Film Awards etc. Almodovar a gasit in Antonio Banderas interpretul ideal pentruacestpersonaj aseptic siagreabilpedinafara, monstruospedinauntru.Combinatie de savant dementsi de parinteiubitorpana-n panzelealbe, el ajungesaproiectezepevictima o pasiunemaladiva. Relatiadintrechirurgsivictimapacient e nelinistitoaresicomplicata, si nu se poaterezolvadecatintr-un singurfel. &#8220;Pielea in care traiesc&#8221; e provocatordesipielea e o metaforaatat de transparenta (sic). Ceil tine pe spectator atentsuntelasticitateatensionata a regiei, constructiasigura a thrillerului, frumusetea \u201epielii\u201d filmului, trimiterileduble la un film de epocasi la unul de anticipatie, fascinatiapentrutransformarealenta a personajelor, asemeniunorlarve care crescindaratulunorcrisalide mate. Iulia Blaga, www.hotnews.com Ultimately an original film that forces us, time and again, to reconsider what we think we&#8217;ve just seen, and what we&#8217;re sure we feel &#8211; not only about mere appearance, or fateful gender, but about who, under our skin, we truly are. Joe Morgenstert, Wall Street [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":730,"menu_order":6,"comment_status":"open","ping_status":"closed","template":"side-navigation.php","meta":[],"_links":{"self":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/699"}],"collection":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/comments?post=699"}],"version-history":[{"count":5,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/699\/revisions"}],"predecessor-version":[{"id":701,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/699\/revisions\/701"}],"up":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/730"}],"wp:attachment":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/media?parent=699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}