{"id":909,"date":"2013-08-31T07:49:56","date_gmt":"2013-08-31T07:49:56","guid":{"rendered":"https:\/\/cinemascop.eu\/2013\/?page_id=909"},"modified":"2013-09-02T08:22:36","modified_gmt":"2013-09-02T08:22:36","slug":"straina","status":"publish","type":"page","link":"https:\/\/cinemascop.eu\/2013\/descarca-materiale\/straina\/","title":{"rendered":"STR\u0102INA"},"content":{"rendered":"<div class=\"title\"><h2>STR\u0102INA \/ DIE FREMDE (2010) &#8211; drama\u00a0 <\/h2><\/div>\n<p>scenariul\u00a0 \u0219i regia: Feo Aladag<br \/>\n119\u2019<br \/>\nDistribu\u021bia: Sibel kekilli, Nizam Schiller, Derya Alabora, Settar Tanriogen, Tamer Yigit, Serhad Can, Almila Bagriacik, Florian Lukas, Nursel Kose, Alwara Hofels, Ufuk Bayraktar, Blanca Apilanez, Rosa Enskat, Gumec Alpay, Ayla Arslancan<\/p>\n<div class=\"related-posts related-projects\"><div id=\"carousel\" class=\"clients-carousel es-carousel-wrapper\"><div class=\"es-carousel\"><ul>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/4_straina\/4_straina_1.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/4_straina_1.jpg\" alt=\"\" \/><\/a><\/li>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/4_straina\/4_straina_2.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/4_straina_2.jpg\" alt=\"\" \/><\/a><\/li>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/4_straina\/4_straina_3.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/4_straina_3.jpg\" alt=\"\" \/><\/a><\/li>\n<\/ul><\/div><\/div><\/div>\n<div class=\"related-posts related-projects\"><div id=\"carousel\" class=\"clients-carousel es-carousel-wrapper\"><div class=\"es-carousel\"><ul>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/4_straina\/4_straina_4.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/4_straina_4.jpg\" alt=\"\" \/><\/a><\/li>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/4_straina\/4_straina_5.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/4_straina_5.jpg\" alt=\"\" \/><\/a><\/li>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/4_straina\/4_straina_6.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/4_straina_6.jpg\" alt=\"\" \/><\/a><\/li>\n<\/ul><\/div><\/div><\/div>\n<div class=\"alert general\"><div class=\"msg\">Click pe o imagine de mai sus pentru a\u00a0 descarca la o rezolutie mai mare<\/div><a href=\"#\" class=\"toggle-alert\">Toggle<\/a><\/div>\n<p>&nbsp;<\/p>\n<p>Distribu\u021bia: Sibel kekilli, Nizam Schiller, Derya Alabora, Settar Tanriogen, Tamer Yigit, Serhad Can, Almila Bagriacik, Florian Lukas, Nursel Kose, Alwara Hofels, Ufuk Bayraktar, Blanca Apilanez, Rosa Enskat, Gumec Alpay, Ayla Arslancan<\/p>\n<p>Umilit\u0103 \u015fi revoltat\u0103 de comportamentul violent al so\u0163ului ei, Umay, o turcoaic\u0103 \u00een v\u00e2rst\u0103 de 25 de ani, fuge, \u00eempreun\u0103 cu fiul ei de patru ani \u00a0din Turcia \u00een Germania, la Berlin, unde tr\u0103ie\u015fte \u00eentreaga sa familie. De\u015fi o primesc cu c\u0103ldur\u0103, p\u0103rin\u0163ii femeii o sf\u0103tuiesc s\u0103 nu-\u015fi p\u0103r\u0103seasc\u0103 so\u0163ul, pentru c\u0103 s-ar dezonora \u015fi ar aduce oprobiul comunit\u0103\u0163ii asupra tuturor. De\u015fi oscileaz\u0103 \u00eentre afec\u0163iunea pentru fiica lor \u015fi respectarea str\u0103vechiului cod al onoarei, mama \u015fi tat\u0103l lui Umay \u00eei cer s\u0103 se sacrifice spre binele fiului. Crescut\u0103 \u00een Germania, unde a prins gustul libert\u0103\u0163ii, ea refuz\u0103 \u00eens\u0103 s\u0103 se \u00eentoarc\u0103, se refugiaz\u0103 \u00eentr-un ad\u0103post pentru femei victime ale violen\u0163ei conjugale, \u00ee\u015fi ia o slujb\u0103 la un restaurant \u015fi se preg\u0103te\u015fte s\u0103-\u015fi reia studiile. C\u00e2nd este reg\u0103sit\u0103 de fratele ei cel mai mare, un ins la fel de violent \u015fi de \u00eenapoiat ca so\u0163ul ei, Umay este pedepsit\u0103 dup\u0103 str\u0103vechile legi, ca o femeie dezonorat\u0103<\/p>\n<p><b>30 de premii \u015fi 9 nominaliz\u0103ri: <\/b><\/p>\n<p>Filmul i-a adus actritei <b>Sibel Kekilli<\/b> numeroase premii pentru cea mai buna interpretare feminina la mai multe festivaluri internationale: Tribeca Film Festival 2010, <a href=\"http:\/\/www.imdb.com\/Sections\/Awards\/Montr%E9al_Festival_of_New_Cinema\/\">Montr\u00e9al Festival of New Cinema<\/a>, (premiul publicului), Festivalul International de la Marrakech. Pana la <i>Die Fremde<\/i>, ea era recunoscuta mai ales pentru rolul interpretat in <i>Cu capul inainte\/Head On<\/i>\u00a0 (2004) al regizorului Fatih Akin si <i>Filiera<\/i> <i>Kebab<\/i>\/<i>Kebab Connection<\/i> (2005) de Anno Saul, scenariul Fatih Akin.<\/p>\n<p><b>Feo Aladag<\/b> se afla la primul lung metraj, debut care i-a adus numeroase distinctii la festivalurile internationale de film. Filmul a mers in 90 de astfel de festivaluri si a obtinut premii pentru Cel mai bun film si Cea mai buna actrita.<\/p>\n<p>Premiul Europa Cinemas Label la Berlin in 2010 si LUX Film Prize 2010<br \/>\nCel mai bun film si Cea mai buna actrita la a 60 a editie a Festivalul Filmului German 2010<br \/>\nCea mai buna actrita (Sibel Kekilli) la Tribeca Film Festival 2010<br \/>\nCel mai bun film strain la\u00a0 Calgary International Film Festival,Canada 2010<br \/>\nCinema for Peace Award , Germania 2010<br \/>\nSelectat pentru Cel mai bun film straina la Premiile Academiei SUA, 2011<br \/>\nCel mai bun film &#8211; Victoria Film Festival , Canada 2011<br \/>\nCel mai bun film &#8211;\u00a0 S\u00e3o Paulo International Film Festival , Brazil 2010<br \/>\nCea mai buna actrita (Sibel Kekilli ) &#8211; Festival du Nouveau Cin\u00e9ma de\u00a0 Montr\u00e9al, Canada 2010<\/p>\n<p>Kekilli sensitively portrays Umay&#8217;s conflicted despair, and the relationship with her son is beautifully rendered.\u00a0 JOE NEUMAIER, NEW YORK DAILY NEWS<br \/>\nAladag&#8217;s point, I think, is that no matter how righteous we may feel about this kind of zero-sum cultural collision, for the human beings involved it often results in unbearable tragedy. ANDREW O\u2019HEHIR, SALON.COM<br \/>\n&#8220;A remarkable artistic achievement. You must see this film.&#8221; THE HUFFINGTON POST<br \/>\n&#8220;Riveting and heartbreaking.&#8221; TRIBECA FILM FESTIVAL JURY<br \/>\n&#8220;It\u2019s a universal story that will connect with audiences.&#8221; THE HOLLYWOOD REPORTER<br \/>\n&#8220;A strong, moving, upsetting debut film where the end hesitates to challenge the cinematic taboos. Heartbreaking therefore indispensable.&#8221; LE FIGAROSCOPE<br \/>\n&#8220;Without excessive dramatization, one comes out of this film with a heavy heart and nostrils quivering with indignation.&#8221; PREMI\u00c8RE<br \/>\n&#8220;This is a tremendous and well-crafted film that is astonishing and eye-opening in its content and subject, and quietly revealing in its style of storytelling.&#8221; TRIBECA FILM FESTIVAL &#8211; 2010 FILM GUIDE<br \/>\n&#8220;WHEN WE LEAVE is an important movie. It&#8217;s so intense, it&#8217;s breathtaking, it hurts. Everyone should see this movie. It can make a difference.&#8221; WARIS DIRIE, AUTHOR OF THE NOVEL \u201cDESERT FLOWER\u201d<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>scenariul\u00a0 \u0219i regia: Feo Aladag 119\u2019 Distribu\u021bia: Sibel kekilli, Nizam Schiller, Derya Alabora, Settar Tanriogen, Tamer Yigit, Serhad Can, Almila Bagriacik, Florian Lukas, Nursel Kose, Alwara Hofels, Ufuk Bayraktar, Blanca Apilanez, Rosa Enskat, Gumec Alpay, Ayla Arslancan &nbsp; Distribu\u021bia: Sibel kekilli, Nizam Schiller, Derya Alabora, Settar Tanriogen, Tamer Yigit, Serhad Can, Almila Bagriacik, Florian Lukas, Nursel Kose, Alwara Hofels, Ufuk Bayraktar, Blanca Apilanez, Rosa Enskat, Gumec Alpay, Ayla Arslancan Umilit\u0103 \u015fi revoltat\u0103 de comportamentul violent al so\u0163ului ei, Umay, o turcoaic\u0103 \u00een v\u00e2rst\u0103 de 25 de ani, fuge, \u00eempreun\u0103 cu fiul ei de patru ani \u00a0din Turcia \u00een Germania, la Berlin, unde tr\u0103ie\u015fte \u00eentreaga sa familie. De\u015fi o primesc cu c\u0103ldur\u0103, p\u0103rin\u0163ii femeii o sf\u0103tuiesc s\u0103 nu-\u015fi p\u0103r\u0103seasc\u0103 so\u0163ul, pentru c\u0103 s-ar dezonora \u015fi ar aduce oprobiul comunit\u0103\u0163ii asupra tuturor. De\u015fi oscileaz\u0103 \u00eentre afec\u0163iunea pentru fiica lor \u015fi respectarea str\u0103vechiului cod al onoarei, mama \u015fi tat\u0103l lui Umay \u00eei cer s\u0103 se sacrifice spre binele fiului. Crescut\u0103 \u00een Germania, unde a prins gustul libert\u0103\u0163ii, ea refuz\u0103 \u00eens\u0103 s\u0103 se \u00eentoarc\u0103, se refugiaz\u0103 \u00eentr-un ad\u0103post pentru femei victime ale violen\u0163ei conjugale, \u00ee\u015fi ia o slujb\u0103 la un restaurant \u015fi se preg\u0103te\u015fte s\u0103-\u015fi reia studiile. C\u00e2nd este reg\u0103sit\u0103 de fratele ei cel mai mare, un ins la fel de violent \u015fi de \u00eenapoiat ca so\u0163ul ei, Umay este pedepsit\u0103 dup\u0103 str\u0103vechile legi, ca o femeie dezonorat\u0103 30 de premii \u015fi 9 nominaliz\u0103ri: Filmul i-a adus actritei Sibel Kekilli numeroase premii pentru cea mai buna interpretare feminina la mai multe festivaluri internationale: Tribeca Film Festival 2010, Montr\u00e9al Festival of New Cinema, (premiul publicului), Festivalul International de la Marrakech. Pana la Die Fremde, ea era recunoscuta mai ales pentru rolul interpretat in Cu capul inainte\/Head On\u00a0 (2004) al regizorului [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":805,"menu_order":4,"comment_status":"open","ping_status":"closed","template":"side-navigation.php","meta":[],"_links":{"self":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/909"}],"collection":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/comments?post=909"}],"version-history":[{"count":5,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/909\/revisions"}],"predecessor-version":[{"id":1015,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/909\/revisions\/1015"}],"up":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/805"}],"wp:attachment":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/media?parent=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}