{"id":923,"date":"2013-08-31T07:54:39","date_gmt":"2013-08-31T07:54:39","guid":{"rendered":"https:\/\/cinemascop.eu\/2013\/?page_id=923"},"modified":"2013-09-02T09:26:07","modified_gmt":"2013-09-02T09:26:07","slug":"minciuni-adevarate","status":"publish","type":"page","link":"https:\/\/cinemascop.eu\/2013\/descarca-materiale\/minciuni-adevarate\/","title":{"rendered":"MINCIUNI ADEV\u0102RATE"},"content":{"rendered":"<div class=\"title\"><h2>MINCIUNI ADEV\u0102RATE \/ DE VRAIS MENSONGES (2010) &#8211; comedie<\/h2><\/div>\n<p>scenariul: Pierre Salvadori \u0219i Benoit Graffin<br \/>\nregia: Pierre Salvadori<br \/>\n105\u2019<br \/>\nDistribu\u021bia : Audrey Tautou, Nathalie Baye, Sami Bouajila, St\u00e9phanie Lagarde, Judith Chemla, C\u00e9cile Boland, Didier Brice<\/p>\n<div class=\"related-posts related-projects\"><div id=\"carousel\" class=\"clients-carousel es-carousel-wrapper\"><div class=\"es-carousel\"><ul>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/10_minciuni_adevarate\/10_minciuni_adevarate_1.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/10_minciuni_adevarate_1.jpg\" alt=\"\" \/><\/a><\/li>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/10_minciuni_adevarate\/10_minciuni_adevarate_2.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/10_minciuni_adevarate_2.jpg\" alt=\"\" \/><\/a><\/li>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/10_minciuni_adevarate\/10_minciuni_adevarate_3.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/10_minciuni_adevarate_3.jpg\" alt=\"\" \/><\/a><\/li>\n<\/ul><\/div><\/div><\/div>\n<div class=\"related-posts related-projects\"><div id=\"carousel\" class=\"clients-carousel es-carousel-wrapper\"><div class=\"es-carousel\"><ul>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/10_minciuni_adevarate\/10_minciuni_adevarate_4.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/10_minciuni_adevarate_4.jpg\" alt=\"\" \/><\/a><\/li>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/10_minciuni_adevarate\/10_minciuni_adevarate_5.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/10_minciuni_adevarate_5.jpg\" alt=\"\" \/><\/a><\/li>\n<li><a href=\"https:\/\/cinemascop.eu\/2013\/download\/10_minciuni_adevarate\/10_minciuni_adevarate_6.zip\" target=\"\"><img src=\"https:\/\/cinemascop.eu\/2013\/wp-content\/uploads\/2013\/08\/10_minciuni_adevarate_6.jpg\" alt=\"\" \/><\/a><\/li>\n<\/ul><\/div><\/div><\/div>\n<div class=\"alert general\"><div class=\"msg\">Click pe o imagine de mai sus pentru a\u00a0 descarca la o rezolutie mai mare<\/div><a href=\"#\" class=\"toggle-alert\">Toggle<\/a><\/div>\n<p>&nbsp;<\/p>\n<p>\u00centr-o diminea\u0163\u0103 de prim\u0103var\u0103, Emilie prime\u015fte o scrisoare de dragoste anonim\u0103, frumoas\u0103 \u015fi inspirat\u0103. O arunc\u0103 la co\u015ful de gunoi, dar peste pu\u021bin timp o ia \u00eenapoi. \u00ce\u0219i d\u0103 seama c\u0103 asta poate fi calea de a o \u201ctrezi la via\u0163\u0103\u201d pe mama ei, singur\u0103 \u015fi trist\u0103 dup\u0103 ce fusese p\u0103r\u0103sit\u0103 de so\u0163. Far\u0103 s\u0103 ezite prea mult, retrimite scrisoarea mamei sale.\u00a0 Emilie nu \u015ftie \u00eens\u0103 c\u0103 autorul ei este Jean, timidul s\u0103u angajat.\u00a0 Nici nu se g\u00e2nde\u015fte c\u0103 gestul ei va crea o serie de \u00eencurc\u0103turi \u015fi ne\u00een\u0163elegeri, de care cur\u00e2nd vor fi cople\u015fi\u021bi to\u021bi.<br \/>\nDe vorb\u0103 cu regizorul Pierre Salvadori<br \/>\nCum s-a n\u0103scut povestea \u201cMinciunilor adev\u0103rate\u201d?<br \/>\nCu Beno\u00eet Graffin, co-scenaristul meu. Procedura este aceea\u015fi, de fiecare dat\u0103: pentru \u00eenceput, ne \u00eent\u00e2lnim \u015fi ne povestim vie\u0163ile. Dintr-o dat\u0103, ceva din intimitatea, din via\u0163a noastr\u0103 personal\u0103, pare a fi un material ideal \u015fi propice pentru o comedie. \u00cel dezvolt\u0103m, situa\u0163iile evolueaz\u0103 \u015fi subiectele apar, sau nu. Pentru \u201cMinciuni adev\u0103rate\u201d, exact a\u015fa s-a \u00eent\u00e2mplat. Exist\u0103 o persoan\u0103 apropiat\u0103 mie, pe care i-am descris-o lui Beno\u00eet \u015fi o persoan\u0103 apropiat\u0103 lui, despre care mi-a povestit el mie. Ne-am g\u00e2ndit c\u0103 cele dou\u0103 ar fi, probabil, personajele ideale \u015fi c\u0103, prin ad\u0103ugarea unui b\u0103iat la mijloc, ar face o poveste grozav\u0103. Asta e tot. \u015ei apoi a \u00eenceput co\u015fmarul!<\/p>\n<p>De ce \u201cco\u0219mar\u201d?<br \/>\nNu e u\u015for s\u0103 dezvol\u021bi o astfel de poveste \u00eenc\u00e2t ea s\u0103 fie credibil\u0103 de la \u00eenceput p\u00e2n\u0103 la final. Scrisul a fost lung \u015fi dificil, pentru c\u0103 voiam s\u0103 r\u0103m\u00e2n\u0103 autentic\u0103 p\u00e2n\u0103 la sf\u00e2r\u015fit, \u00een special c\u0103 structura presupunea ca o serie de minciuni s\u0103 duc\u0103 la adev\u0103r. Dac\u0103 la \u00eenceputul dezvolt\u0103rii unui scenariu spune\u0163i asta unui scriitor, el v\u0103 raspunde &#8220;Da, super!&#8221; Apoi v\u0103 va detestata timp de un an.<br \/>\n&#8211; Lucra\u021bi din nou cu Audrey Tatou.<br \/>\nAudrey are o tehnic\u0103 incredibil\u0103 \u015fi suficient\u0103 putere pentru a nu l\u0103sa aceast\u0103 tehnic\u0103 s\u0103 o domine. Ea are m\u0103iestria necesar\u0103 de a fi amuzant\u0103, f\u0103r\u0103 a fi comic\u0103. \u015ei modestia. Pentru a\u00a0 juca comedie\u00a0 trebuie s\u0103 pui m\u00e2ndria de-o parte, s\u0103 nu ar\u0103\u0163i, nici m\u0103car discret, c\u0103 e\u015fti mai inteligent decat personajul. Trebuie s\u0103 fii foarte &#8220;natural&#8221; \u00een situa\u0163ii neverosimile. \u015ei cred c\u0103 de la \u00eenceput am\u00e2ndoi am avut \u00een minte acela\u0219i film. Audrey a \u00een\u0163eles exact unde vreau s\u0103 ajung \u015fi m-a ajutat. <b>Pierre Salvadori<br \/>\n<\/b>This film had all the potential ingredients of a great romantic comedy: attractive and talented actors, wonderful romantic setting and flashes of genuine charm and wit, however it suffers mostly from a noticeably acerbic streak and predictable storyline. <b>Myfrenchlife.org<\/b><\/p>\n<p><b>Pierre Salvadori. Filmografie<\/b><\/p>\n<p>2010 \u00a0\u00a0\u00a0\u00a0\u00a0 De vrais mensonges<br \/>\n2006 \u00a0\u00a0\u00a0\u00a0\u00a0 Hors de Prix<br \/>\n2003 \u00a0\u00a0\u00a0\u00a0\u00a0 Apr\u00e9s vous\u2026<br \/>\n2000 \u00a0\u00a0\u00a0\u00a0\u00a0 Les Marchands de sable<br \/>\n1998\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Comme elle respire<br \/>\n1997 \u00a0\u00a0\u00a0\u00a0\u00a0 Un moment, \u00een colec\u021bia \u201cL\u2019@mour est \u00e1 r\u00e9inventer\u201d (scurtmetraj)<br \/>\n1995 \u00a0\u00a0\u00a0\u00a0\u00a0 Les Apprentis<br \/>\n1993 \u00a0\u00a0\u00a0\u00a0\u00a0 Cible \u00e9mouvante<br \/>\n1992 \u00a0\u00a0\u00a0\u00a0\u00a0 M\u00e9nage (scurtmetraj)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>scenariul: Pierre Salvadori \u0219i Benoit Graffin regia: Pierre Salvadori 105\u2019 Distribu\u021bia : Audrey Tautou, Nathalie Baye, Sami Bouajila, St\u00e9phanie Lagarde, Judith Chemla, C\u00e9cile Boland, Didier Brice &nbsp; \u00centr-o diminea\u0163\u0103 de prim\u0103var\u0103, Emilie prime\u015fte o scrisoare de dragoste anonim\u0103, frumoas\u0103 \u015fi inspirat\u0103. O arunc\u0103 la co\u015ful de gunoi, dar peste pu\u021bin timp o ia \u00eenapoi. \u00ce\u0219i d\u0103 seama c\u0103 asta poate fi calea de a o \u201ctrezi la via\u0163\u0103\u201d pe mama ei, singur\u0103 \u015fi trist\u0103 dup\u0103 ce fusese p\u0103r\u0103sit\u0103 de so\u0163. Far\u0103 s\u0103 ezite prea mult, retrimite scrisoarea mamei sale.\u00a0 Emilie nu \u015ftie \u00eens\u0103 c\u0103 autorul ei este Jean, timidul s\u0103u angajat.\u00a0 Nici nu se g\u00e2nde\u015fte c\u0103 gestul ei va crea o serie de \u00eencurc\u0103turi \u015fi ne\u00een\u0163elegeri, de care cur\u00e2nd vor fi cople\u015fi\u021bi to\u021bi. De vorb\u0103 cu regizorul Pierre Salvadori Cum s-a n\u0103scut povestea \u201cMinciunilor adev\u0103rate\u201d? Cu Beno\u00eet Graffin, co-scenaristul meu. Procedura este aceea\u015fi, de fiecare dat\u0103: pentru \u00eenceput, ne \u00eent\u00e2lnim \u015fi ne povestim vie\u0163ile. Dintr-o dat\u0103, ceva din intimitatea, din via\u0163a noastr\u0103 personal\u0103, pare a fi un material ideal \u015fi propice pentru o comedie. \u00cel dezvolt\u0103m, situa\u0163iile evolueaz\u0103 \u015fi subiectele apar, sau nu. Pentru \u201cMinciuni adev\u0103rate\u201d, exact a\u015fa s-a \u00eent\u00e2mplat. Exist\u0103 o persoan\u0103 apropiat\u0103 mie, pe care i-am descris-o lui Beno\u00eet \u015fi o persoan\u0103 apropiat\u0103 lui, despre care mi-a povestit el mie. Ne-am g\u00e2ndit c\u0103 cele dou\u0103 ar fi, probabil, personajele ideale \u015fi c\u0103, prin ad\u0103ugarea unui b\u0103iat la mijloc, ar face o poveste grozav\u0103. Asta e tot. \u015ei apoi a \u00eenceput co\u015fmarul! De ce \u201cco\u0219mar\u201d? Nu e u\u015for s\u0103 dezvol\u021bi o astfel de poveste \u00eenc\u00e2t ea s\u0103 fie credibil\u0103 de la \u00eenceput p\u00e2n\u0103 la final. Scrisul a fost lung \u015fi dificil, pentru c\u0103 voiam s\u0103 r\u0103m\u00e2n\u0103 autentic\u0103 p\u00e2n\u0103 la sf\u00e2r\u015fit, \u00een special c\u0103 structura [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":805,"menu_order":10,"comment_status":"open","ping_status":"closed","template":"side-navigation.php","meta":[],"_links":{"self":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/923"}],"collection":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/comments?post=923"}],"version-history":[{"count":5,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/923\/revisions"}],"predecessor-version":[{"id":1047,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/923\/revisions\/1047"}],"up":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/pages\/805"}],"wp:attachment":[{"href":"https:\/\/cinemascop.eu\/2013\/wp-json\/wp\/v2\/media?parent=923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}