{"id":699,"date":"2013-08-30T11:16:16","date_gmt":"2013-08-30T11:16:16","guid":{"rendered":"https:\/\/cinemascop.eu\/2014\/?page_id=699"},"modified":"2015-10-07T00:49:54","modified_gmt":"2015-10-07T00:49:54","slug":"deux-jours-une-nuit","status":"publish","type":"page","link":"https:\/\/cinemascop.eu\/2014\/filme\/deux-jours-une-nuit\/","title":{"rendered":"DEUX JOURS, UNE NUIT"},"content":{"rendered":"<div class=\"title\"><h2>Deux jours, une nuit \u2013 (2014) &#8211; dram\u0103<\/h2><\/div>\n<div align=\"justify\">\n<strong>Competi\u021bie, Cannes 2014<\/strong><br \/>\nRegia: Jean-Pierre &#038; Luc Dardenne<br \/>\n\u021aara: Belgia, Fran\u021ba, Italia<br \/>\nDurata: 95\u2032<\/p>\n<p><!--\n[slider]\n[slide] https:\/\/cinemascop.eu\/2014\/wp-content\/uploads\/2013\/08\/film6_1.jpg [\/slide]\n[slide] https:\/\/cinemascop.eu\/2014\/wp-content\/uploads\/2013\/08\/film6_2.jpg [\/slide]\n[slide] https:\/\/cinemascop.eu\/2014\/wp-content\/uploads\/2013\/08\/film6_3.jpg [\/slide]\n[\/slider]\n--><\/p>\n<p>\u201eFra\u021bii Dardenne s-au dep\u0103\u0219it pe ei \u00een\u0219i\u0219i cu acest film care-\u021bi r\u0103v\u0103\u0219e\u0219te sufletul (\u2026) \u00cen centrul lui st\u0103 subtila \u0219i magnifica interpretare a lui Marion Cotillard \u201d, sun\u0103 elogiul celor de la <strong><em>The Guardian<\/em><\/strong>.<\/p>\n<p>Marion Cotillard reu\u0219e\u0219te o impresionant\u0103 performan\u021b\u0103 \u00een cel de-al optulea film pe care regizorii belgieni Jean-Pierre \u0219i Luc Dardenne \u00eel aduc la Cannes: Deux jours, une nuit. De\u021bin\u0103tori a dou\u0103 Palme d\u2019Or, pentru Rosetta (1995) \u0219i L\u2019Enfant (2005), fra\u021bii Dardenne s-au aflat \u0219i anul acesta printre favori\u021bii la trofeu.<\/p>\n<p>Actri\u021ba joac\u0103 rolul unei mame care revine la munc\u0103, la fabrica de panouri solare, dup\u0103 o c\u0103dere nervoas\u0103. \u00centre timp, \u0219efii au constatat c\u0103 se pot descurca \u0219i f\u0103r\u0103 ea \u0219i le propun celorlal\u021bi angaja\u021bi c\u00e2te un bonus de 1000 de euro contra unui vot pentru concedierea ei. Disperat\u0103, ea are la dispozi\u021bie un weekend s\u0103-\u0219i conving\u0103 colegii s\u0103 o salveze.<\/p>\n<p><strong>Distribu\u021bia :<\/strong> Marion COTILLARD \u2013 Sandra, Fabrizio RONGIONE \u2013 Manu\n<\/div>\n<p><\/p>\n<p><strong>Trailer<\/strong><br \/>\n<div style=\"max-width:870pxpx;max-height:520pxpx;\"><div class=\"video-shortcode\"><iframe title=\"YouTube video player\" width=\"870px\" height=\"520px\" src=\"https:\/\/www.youtube.com\/embed\/InuzW58ydyU\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Competi\u021bie, Cannes 2014 Regia: Jean-Pierre &#038; Luc Dardenne \u021aara: Belgia, Fran\u021ba, Italia Durata: 95\u2032 \u201eFra\u021bii Dardenne s-au dep\u0103\u0219it pe ei \u00een\u0219i\u0219i cu acest film care-\u021bi r\u0103v\u0103\u0219e\u0219te sufletul (\u2026) \u00cen centrul lui st\u0103 subtila \u0219i magnifica interpretare a lui Marion Cotillard \u201d, sun\u0103 elogiul celor de la The Guardian. Marion Cotillard reu\u0219e\u0219te o impresionant\u0103 performan\u021b\u0103 \u00een cel de-al optulea film pe care regizorii belgieni Jean-Pierre \u0219i Luc Dardenne \u00eel aduc la Cannes: Deux jours, une nuit. De\u021bin\u0103tori a dou\u0103 Palme d\u2019Or, pentru Rosetta (1995) \u0219i L\u2019Enfant (2005), fra\u021bii Dardenne s-au aflat \u0219i anul acesta printre favori\u021bii la trofeu. Actri\u021ba joac\u0103 rolul unei mame care revine la munc\u0103, la fabrica de panouri solare, dup\u0103 o c\u0103dere nervoas\u0103. \u00centre timp, \u0219efii au constatat c\u0103 se pot descurca \u0219i f\u0103r\u0103 ea \u0219i le propun celorlal\u021bi angaja\u021bi c\u00e2te un bonus de 1000 de euro contra unui vot pentru concedierea ei. Disperat\u0103, ea are la dispozi\u021bie un weekend s\u0103-\u0219i conving\u0103 colegii s\u0103 o salveze. Distribu\u021bia : Marion COTILLARD \u2013 Sandra, Fabrizio RONGIONE \u2013 Manu Trailer<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":730,"menu_order":1,"comment_status":"open","ping_status":"closed","template":"side-navigation.php","meta":[],"_links":{"self":[{"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/pages\/699"}],"collection":[{"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/comments?post=699"}],"version-history":[{"count":5,"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/pages\/699\/revisions"}],"predecessor-version":[{"id":1475,"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/pages\/699\/revisions\/1475"}],"up":[{"embeddable":true,"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/pages\/730"}],"wp:attachment":[{"href":"https:\/\/cinemascop.eu\/2014\/wp-json\/wp\/v2\/media?parent=699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}